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Telling the journey of a character called Pink, Scarfe visualised his life as a twisted mix of elegance and horror. Gradually I built up a picture of what I felt I could contribute.” Inside the gatefold sleeve of The Wall (1979). “Over the following weeks he retraced his steps, telling me which part of The Wall echoed his own life – his father’s death, his girlfriend’s infidelity etc., which was fantasy and what was fact. “In the early days, Roger explained the whole of the music and lyrics of The Wall to me,” Scarfe wrote in his 2011 book. Scarfe was the perfect person to visualise these themes, and Waters wanted him involved from the very beginning. It featured songs about isolation and abandonment and was an exploration of darkness and humanity. Waters had already written three concept albums in the form of the group’s previous LPs – The Dark Side of the Moon (1973), Wish You Were Here (1975) and Animals (1977) – but this was to be his most personal and revealing album to date. Devised by Roger Waters, it was to be a hugely inventive album. Source: Gerald ScarfeĪfter collaborating on tour programs, stage animations and a music video, Scarfe and the band finally landed on The Wall. This drawing resulted from sketches Scarfe made during early meetings with the band and was produced for the programme on their Wish You Were Here tour in 1974. He loved the theatricality of their live act and agreed to see if they could find some projects to work on together. When he saw their performance, his attitude completely changed. Scarfe – who admitted he was originally “no means a fan” of the band – went to see them perform The Dark Side of the Moon at Finsbury Park.
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They were eager to work with someone on visuals, and so they asked the illustrator if he might be interested. The following year it was seen by the members of Pink Floyd, and they loved it. Scarfe’s take on American society was relentlessly engaging, and its unique style seemed to strike a chord with viewers. It was trippy and hallucinogenic, mixing together everything from John Wayne and Micky Mouse to commercials and Playboy.
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The resulting animation was Long Drawn-Out Trip, a warped visual stream of consciousness that reflected the illustrator’s take on American culture. It was an era of drugs and cynicism, and Scarfe channelled these elements into his work. He had spent the previous decade producing editorial cartoons and caricatures for British publications like Punch, the Daily Mail and The Sunday Times – and was now taking his satirical eye to the States. 1936) found himself in LA creating an animated film for the BBC. In 1971 the English illustrator Gerald Scarfe (b. The artwork would have included Scarfe's iconic hand-lettering as either a sticker or printed directly onto the cover. Gerald Scarfe's artwork for The Wall (1979) by Pink Floyd, Harvest Records.